Abstract
Taking inspiration from the film Wit (2001), adapted from Margaret Edson’s (1999) Pulitzer Prize-winning play, this article explores the particularities of witnessing a cinematic cancer narrative juxtaposed with the author’s own cancer narrative. The analysis reveals the tenuous line between death and dying, illness and wellness, life and living and the resulting identities shaped in the process of understanding both from a personal and professional lens. By framing these representations of illness experience within the narrative constructions of drama, time, metaphor and morality, the personal stories of intellectual knowledge converging with intimate and embodied knowing are revealed.
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Acknowledgments
Thanks are extended to early readers of this manuscript for their thoughtful suggestions and support including Mary Lawlor, ScD and Cheryl Mattingly, PhD. In particular I would like to thank the editor and reviewer for their critical and valued feedback. This paper was written in partial fulfillment of the author’s requirements for a doctorate degree in occupational science at the University of Southern California, Los Angeles, California.
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Elliot, M.L. “It Is Not Wit, It Is Truth:” Transcending the Narrative Bounds of Professional and Personal Identity in Life and in Art. J Med Humanit 37, 241–256 (2016). https://doi.org/10.1007/s10912-014-9272-x
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DOI: https://doi.org/10.1007/s10912-014-9272-x